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Cappella Romana Passion Week Performance a “World-Class Arts Event”
Portland Monthly Magazine has a Spring “Guide to the Season’s World-Class Arts Events” and tabs our April 11th Passion Week concert at St. Mary’s Cathedral. “In April, vocal ensemble Cappella Romana performs the world premiere of Maximilian Steinberg’s Passion Week, the last major sacred work composed in Russia before Stalin cracked down on religious art.
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Toronto Early Music News Reviews Mt. Sinai: Frontier of Byzantium
The Toronto Early Music News Winter 2014 issue has a new review of our Mt. Sinai: Frontier of Byzantium recording! “This music speaks to a higher self; its target is the divine and focuses the soul in direct union with God. One of its features is the luxurious usage of time. Time seems to be
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Alexander Lingas Talks Passion Week Cycle on the Orthodox Arts Journal
Alexander Lingas has a new article on the Orthodox Arts Journal on the re-discovery of Maximilian Steinberg’s Passion Week Cycle, Op. 13! The article, “Passion Week, Opus 13 by Maximilian Steinberg (1883–1946): The Recovery of a Neglected Musical Contribution to the Russian Religious Renaissance” traces the history of the Russian Religious Renaissance and the story
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Letter from Mark Powell, Executive Director
Introduction to Cappella Romana’s 30th Anniversary Season Dear Friends and Supporters, In late winter we usually are ready to share our next season with you, but given how this year has proceeded, we decided to wait until now to make any announcement. Over the last year, we have not lain dormant. Cappella Romana’s recording label
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St. Tikhon Choir Gives a “Stunning Debut”
Cinemusical gives stars across the board to the Saint Tikhon Choir’s recording of Benedict Sheehan’s Liturgy of St. John Chrysostom on Cappella Records: “The work is a blend of liturgical components (litanies, various antiphons and hymns, an “Our Father”, communion, blessing) and psalm settings (Sheehan adapted Psalms 145 and 148). There are references to ancient
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Sheehan’s Liturgy offers a much needed refuge
HRAudio.net’s Adrian Quanjer reviews Benedict Sheehan’s Liturgy of St. John Chrysostom: “‘In times of difficulty and insecurity, like now with a highly contagious virus spreading over the world, people will search for something tangible to hold on to. Something that gives warmth and hope, doesn’t change and has already for a long time been an
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Four Stars from ConcertoNet for Benedict Sheehan’s Liturgy of Saint John Chrysostom
ConcertoNet‘s Linda Holt gives Four Stars to the Saint Tikhon Choir’s recording of Benedict Sheehan: Liturgy of St. John Chrysostom on Cappella Records: “a recording which succeeds fully as a musical work, albeit one that follows strict compositional and theological guidelines. Despite the heaviness of its intention, I found this work surprisingly elegant and light,
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Benedict Sheehan Brings the Liturgy of Saint John Chrysostom to Life
“While listening, I closed my eyes and just let the voices of the Saint Tikhon Choir bring the liturgy alive in music. … In all honesty, the voices of the choir performing Sheehan’s setting gave me chills. This is an album I’ll be listening to often. I highly recommend this album to those who enjoy
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Blu-Ray Review of Benedict Sheehan: Liturgy
Blu-Ray.com reviews Cappella Records’ new release of the Saint Tikhon Choir and Benedict Sheehan‘s recording, Benedict Sheehan: Liturgy of Saint John Chrysostom: “Sheehan’s approach certainly harkens back to longstanding choral traditions in Russia and environs, and as such, there’s often a dark, almost foreboding, ambience to some of the massed lower sonorities he exploits. … If
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More Praise for Lost Voices of Hagia Sophia in MusicWeb International
Mark Sealey adds his voice to the growing list of reviews of Lost Voices of Hagia Sophia on MusicWeb International: “From the first note, we hear dedication, focus, energy, a balanced and measured concentration on – as far as is possible in our noisy world – how the monks and lay staff of the Hagia
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Lost Voices of Hagia Sophia Featured in The New York Times
The New York Times has a new article featuring our Icons of Sound: Hagia Sophia Re-Imagined project and Lost Voices of Hagia Sophia recording! See the article, filled with interviews with our project partners from Stanford and our own Alexander Lingas on NYTimes.com: “The Lost Voices of Hagia Sophia,” an album that brings to life
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In Le Monde: Hagia Sophia: The Great Amplifier
Ece Temelkuran, Journaliste et essayiste: « Avec la transformation de la basilique Sainte-Sophie, Erdogan achève de créer une Turquie à sa main » La basilique « a toujours été la diversion politique favorite » du président turc, relève, dans une tribune au « Monde », la journaliste exilée. Il détourne ainsi l’attention des problèmes majeurs
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